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edward.maurath
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV1A2N21 - Zweier Augen Majestät
edward.maurath
2:35 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
Bassoon Bass 17 0 6 5 60%
Bass 21 0 5 2 100%
 
BWV 999: Prelude in c minor for lautenwerk
edward.maurath
1:55 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
Harpsichord Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
Lute Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
 
HWV63A0 - Judas Maccabeus (1746) Overture in g minor
edward.maurath
11:07 Est. Play
Time
186 Measures
2,568Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
Viole 18 0 4 8 83%
Contrabassi Continuo Bass 25 0 10 10 81%
Violoncelli Continuo Bass 25 0 10 10 81%
Bassoon Continuo Bass 26 0 10 10 45%
Oboe 1 Treble 22 0 8 9 45%
Organo Treble 16 39 5 9 40%
Bass 20 1 5 9 41%
Cembalo Continuo Treble 17 42 5 6 30%
Bass 20 4 3 6 30%
Oboe 2 Treble 18 0 5 7 26%
 
HWV61A2N46 - Regard, O son, my flowing tears
edward.maurath
6:48 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
Cello Bass 23 0 7 10 98%
NITOCRIS 16 0 6 9 76%
Violin Treble 23 2 9 9 71%
Violoncellos Bass 17 0 5 9 69%
Violone Bass 17 0 5 9 69%
 
WQ40 - iphignie en aulide (Gluck)
edward.maurath
8:14:19 Est. Play
Time
4517 Measures
57,351Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 609 29 13 97%
Bass 58 373 40 11 96%
View all 26 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 609 29 13 97%
Bass 58 373 40 11 96%
Iphigénie Treble 21 0 15 11 18%
Achille Treble 19 0 11 9 18%
Soprano Treble 20 0 7 9 16%
Alto Treble 19 0 6 9 15%
Clytemnestre Treble 20 0 13 8 15%
Ténor Treble 11 0 4 4 0%
Treble 6 0 0 4 0%
Treble 18 0 10 9 15%
Basse Bass 13 0 3 4 0%
Bass 19 0 9 9 15%
Bass 15 0 2 7 1%
Agamemnon Bass 20 0 12 8 13%
Calchas Bass 20 2 10 8 2%
Patrocle Bass 14 0 4 6 1%
1ʳᵉ
Grecque		 Treble 16 0 4 6 1%
Arcas Bass 11 0 4 5 1%
Diane Treble 16 0 6 7 1%
Grec Treble 8 0 1 5 0%
Ténor
1		 Treble 8 0 1 6 0%
Ténor
2		 Treble 9 0 1 6 0%
2ᵉ
Grecque		 Treble 11 0 1 5 0%
3ᵉ
Grecque		 Treble 10 0 2 5 0%
Femme
de
la
suite
d’Iphigénie		 Treble 10 0 0 5 0%
Esclave
Lesbienne		 Treble 7 0 0 3 0%
 
BWV245N20½ - Ach windet euch nicht so, geplagte Seelen
edward.maurath
7:53 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 26 1 11 5 99%
Cembalo Continuo Treble 27 55 10 6 90%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 26 1 11 5 99%
Cembalo Continuo Treble 27 55 10 6 90%
Bass 31 25 12 5 98%
Oboe 1 Treble 20 0 6 7 97%
Oboe 2 Treble 20 0 8 7 97%
Tenore Treble 19 0 7 7 60%
 
BWV 245 N 5 - CHORALE Dein Will geschech d minor
edward.maurath
0:55 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 29 4 2 100%
Bass 14 0 5 3 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 29 4 2 100%
Bass 14 0 5 3 100%
Bass 14 0 5 3 100%
Harpsichord Treble 14 29 4 2 100%
Bass 15 1 5 2 100%
Alti Treble 11 0 3 4 100%
Bassi Bass 14 0 5 3 100%
Bassoon Continuo Bass 15 0 5 3 100%
Contrabasses Bass 14 0 5 3 100%
Flute Treble 13 0 3 2 100%
Oboe 1 Treble 13 0 3 2 100%
Oboe 2 Treble 11 0 3 4 100%
Soprani Treble 13 0 3 2 100%
Tenori Treble 11 0 4 4 100%
Viola 11 0 4 4 100%
Violini 1 Treble 13 0 3 2 100%
Violini 2 Treble 11 0 3 4 100%
Violoncellos Bass 14 0 5 3 100%
 
BWV 1053 Harpsichord Concerto Number 2 in E Major
edward.maurath
22:35 Est. Play
Time
608 Measures
8,034Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo
-
RH		 Treble 31 22 10 10 100%
Cembalo Solo
-
LH		 Bass 33 13 10 7 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo
-
RH		 Treble 31 22 10 10 100%
Cembalo Solo
-
LH		 Bass 33 13 10 7 99%
First Violins Treble 29 1 11 8 86%
Second Violins Treble 25 0 9 7 83%
Viola 27 0 10 7 82%
Violoncello Continuo Bass 26 0 9 5 78%
Violone Continuo Bass 26 0 9 5 78%
 
BWV 245 N 3 v EJM CHORALE O grosse Lieb g minor
edward.maurath
0:45 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 14 20 5 5 100%
Bass 16 0 5 3 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 14 20 5 5 100%
Bass 16 0 5 3 100%
Bass 17 0 5 3 100%
Cembalo Continuo Treble 14 20 5 5 100%
Bass 19 2 5 3 100%
Alto 11 0 2 4 100%
Bassi Bassoon Continuo Bass 17 0 5 3 100%
Basso Bass 15 0 4 4 100%
Contrabassi Continuo Bass 16 0 5 3 100%
Contralti Oboe 2 Treble 9 0 2 3 100%
Contralti Violini 2 Treble 11 0 2 4 100%
Soprani Flute 1
amp;amp;
2		 Treble 11 0 2 4 100%
Soprani Oboe 1 Treble 11 0 2 4 100%
Soprani Violini 1 Treble 11 0 2 4 100%
Soprano 11 0 2 4 100%
Tenor 12 0 3 4 100%
Tenori Viole 12 0 3 4 100%
Violoncello Continuo Bass 17 0 5 3 100%
 
BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt
edward.maurath
3:31 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 14 0 5 6 100%
Cembalo Continuo Treble 19 45 7 7 70%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 14 0 5 6 100%
Cembalo Continuo Treble 19 45 7 7 70%
Bass 16 2 6 6 70%
Evangelista Treble 17 0 6 5 65%
Ancilla Petrus Jesus 24 0 8 4 43%
Organo Continuo Treble 14 20 6 5 37%
Bass 11 0 2 4 37%
Servus Treble 6 0 3 2 7%
 
BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major
edward.maurath
1:36 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
Organo Continuo Treble 10 2 1 5 100%
Bass 16 0 5 5 100%
Alti 10 0 1 5 100%
Bassi Bass 16 0 5 5 100%
Bassono Grosso Continuo Bass 16 0 5 5 100%
Bassoon Continuo Bass 16 0 5 5 100%
Contrabassi Continuo Bass 16 0 5 5 100%
Flauto Traverso Treble 7 0 0 5 100%
Oboe Treble 7 0 0 5 100%
Soprani 7 0 0 5 100%
Tenori Treble 9 0 2 4 100%
Viola 10 0 1 5 100%
Violin 1 Treble 7 0 0 5 100%
Violin 2 Treble 10 0 1 5 100%
Violoncelli Continuo Bass 16 0 5 5 100%
 
BWV 245 N 21 - Und die Kriegsknechte flochten
edward.maurath
8:18 Est. Play
Time
113 Measures
2,969Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenori Treble 21 0 10 6 88%
Bassi Treble 23 0 11 7 75%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenori Treble 21 0 10 6 88%
Bassi Treble 23 0 11 7 75%
Bassono Grosso Treble 25 0 8 6 62%
Bassoon Continuo Treble 25 0 8 6 62%
Contrabassi Continuo Treble 25 0 8 6 61%
Flute 1 Treble 22 0 9 7 60%
Flute 2 Treble 22 0 8 7 60%
Violoncelli Continuo Treble 25 0 8 6 60%
Violas Treble 23 0 8 6 59%
Oboe 2 Treble 20 0 6 7 57%
Alti Treble 17 0 5 6 56%
Violins 2 Treble 25 0 10 6 56%
Oboe 1 Treble 22 0 8 7 55%
Soprani Treble 19 0 7 6 55%
Violins 1 Treble 24 0 11 6 55%
Organo Continuo Treble 25 9 11 7 51%
Bass 21 0 8 7 54%
Violoncello Continuo Treble 18 0 9 5 38%
Cembalo Continuo Treble 21 56 10 6 35%
Bass 18 2 7 6 35%
 
BWV245N15 - Christus, der uns selig macht
edward.maurath
1:18 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
Alti 13 0 4 4 100%
Bassi Bass 16 0 6 4 100%
Bassono Grosso Continuo Bass 16 0 6 4 100%
Bassoon Continuo Bass 16 0 6 4 100%
Contrabassi Continuo Bass 16 0 6 4 100%
FlautI TraversI Treble 9 0 1 4 100%
Oboe 1 Treble 9 0 1 4 100%
Oboe 2 Treble 11 0 4 4 100%
Organo Continuo Treble 14 20 5 4 100%
Soprani 9 0 1 4 100%
Tenori Treble 8 0 2 4 100%
Viola 8 0 2 4 100%
Violin 1 Treble 9 0 1 4 100%
Violin 2 Treble 13 0 4 4 100%
Violoncelli Continuo Bass 16 0 6 4 100%
 
BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern
edward.maurath
3:07 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 21 0 8 5 100%
Evangelist 16 0 5 4 77%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 21 0 8 5 100%
Evangelist 16 0 5 4 77%
Cembalo Continuo Treble 16 30 7 4 67%
Bass 21 2 9 4 72%
Organo Continuo Treble 20 18 6 4 49%
Bass 20 3 5 4 51%
Bass 18 0 5 4 49%
Bassoon Continuo Bass 16 0 3 3 26%
Contrabassi Continuo Bass 16 0 3 3 26%
Oboe 1 Treble 17 0 5 3 26%
Viole 17 0 3 2 26%
Violini 1 Treble 20 0 3 2 26%
Violini 2 Treble 16 0 3 2 26%
Violoncelli Continuo Bass 16 0 3 3 26%
Oboe 2 Treble 17 0 5 3 23%
Alti 11 0 2 5 21%
Bassi Bass 15 0 4 4 21%
Jesus Bass 12 0 2 4 21%
Soprani 10 0 1 4 21%
Tenori 12 0 3 4 21%
Flute 1 Treble 14 0 1 2 13%
Flute 2 Treble 14 0 1 2 13%
 
"Dal fulgor di questa spada" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
2:40 Est. Play
Time
107 Measures
1,037Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 55 7 5 99%
Bass 24 40 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 55 7 5 99%
Bass 24 40 5 5 100%
Violoncello Continuo Bass 22 0 5 5 100%
Contrabassi Continuo Bass 21 0 5 4 91%
Violoncelli Continuo Bass 21 0 5 4 91%
Violini Treble 22 1 5 6 88%
Achilla Bass 18 0 6 5 67%
 
Handel - HWV 61, Overture in e minor
edward.maurath
6:09 Est. Play
Time
70 Measures
2,097Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vln
1		 Treble 26 0 9 10 98%
Viola 18 1 5 9 96%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vln
1		 Treble 26 0 9 10 98%
Viola 18 1 5 9 96%
Vln
2		 Treble 29 0 11 10 96%
VLN
3		 Treble 20 2 6 9 91%
Harpsi Treble 19 44 4 8 51%
Bass 25 14 9 9 87%
Cello Bass 23 0 8 9 87%
Kontrebaß Bass 23 0 8 9 87%
OBO
1		 Treble 22 1 8 10 83%
OBO
2		 Treble 22 1 8 10 83%
Bassoon Bass 23 0 8 9 79%
Organ Treble 15 21 2 8 38%
Bass 17 8 2 7 29%